Джазовая музыка

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The Real Group - Get Real!

Artist: The Real Group
Album: Get Real!
Label: Gazell Music AB
Genre: Vocal Jazz
Styles: Jazz, Vocal Jazz, Standards, Acappella
Release Date: 1996
Quality / Bitrate: MP3 / 320 kbit/s / 44.1 Khz / Stereo
Total Time: 50:58 Min
Total Size: 121,29 MB

The Real Group is an a cappella quintet from Stockholm, Sweden, consisting of three men and two women. Inspired by Bobby McFerrin, the unit brilliantly performed bop, vocalese, and a few originals on their Town Crier debut, leading Jon Hendricks himself to say, "I wish I was in this group."

TRACKLIST
01. A Cappella In Acapulco (04:07)
02. A Child Is Born (03:12)
03. Dancing Queen (03:51)
04. Wait And See (04:01)
05. How Come It Is So Hard To Be The Way You Are (04:17)
06. What Are You Doing The Rest Of Your Life (05:29)
07. For The One I Love (04:54)
08. Flight Of The Foobirds (03:20)
09. Love Is Meant For Everyone (04:07)
10. Come Together (03:39)
11. Strawberry Fields Forever (03:29)
12. It Don't Mean A Thing (03:11)
13. Kristallen Den Fina (03:16)

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Al DiMeola - Flesh on Flesh

Artist: Al DiMeola
Album: Flesh on Flesh
Recording Date: Mar 2002-Apr 2002
Release Date: Aug 27, 2002
Label: Telarc
Genre: Jazz
Styles: Guitar Virtuoso, Jazz-Rock, Fusion, World Fusion
Quality / Bitrate: MP3 / 256 kbit/s / Stereo
Total time: 50:34 min
Total size: 92.60 Mb
Website: http://www.aldimeola.com
http://www.aldimeola.ru (на русском)​

Эл Ди Меола - один из наиболее уважаемых и влиятельных гитаристов в мире. По сведениям журнала Guitar Player на его счету самое большое количество престижных наград среди гитаристов: он является обладателем премий Grammy, Record World Magazine, самых известных наград Guitar Player Magazine (в том числе став самым молодым гитаристом, вошедшим в Галерею великих), 14 раз признавался лучшим джазовым гитаристом. Альбомы Ди Меолы семь раз становились гитарными альбомами года и трижды он получал премии за лучший альбом в составе Трио.

Говорят, что в Ди Меоле уживаются как бы два гитариста одновременно: один - невероятно техничный и изобретательный исполнитель фьюжн на электрогитаре, другой - вдумчивый исследователь музыкальных культур других стран (в первую очередь фламенко и современного танго), виртуоз гитары акустической.

Феномен, один из самых быстрых гитаристов в мире, отмеченный всеми из существующих в гитаристике наградами, первооткрыватель, культовая фигура в мире рока и джаза, бестселлер среди инструменталистов - все это о человеке, которого зовут Эл Ди Меола. Выпустивший более 20 сольных альбомов, и в разное время работавший с самыми разносторонними музыкантами, Маэстро не перестает удивлять глубиной своего таланта и творческим долголетием.
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Personnel
Al DiMeola (acoustic & electric guitars); Jean Valdes, Guillermo Ruiz (alto saxophone); Williams Polledo (trumpet); Alejandro Santos (flute); Mario Pamisano (acoustic piano, calliope); Gonzalo Rubalcada (Fender Rhodes); Anthony Jackson (Fodera electric conta bass); Gumba Ortiz (congas, cajone).

Release Info
Al DiMeola continues to broaden his musical horizons with Flesh on Flesh, his fourth release for the Telarc recording label. The great guitarist is joined by two members of his World Sinfonia acoustic group -- Gumbi Ortiz on percussion and Mario Parmisano on keyboards -- in addition to such stellar musicians as Gonzalo Rubalcaba, flutist Alejandro Santos, and bassist Anthony Jackson, who recorded with DiMeola on his best-selling Elegant Gypsy album in the mid-'80s. Offering classic guitar lines on an array of guitars (including a vintage Les Paul, Fender Stratocaster, and Conde-Romano acoustic), Al DiMeola is memorable, timeless, and true to the beauty, culture and sensual imagery that inspired him to compose and arrange these eight great songs. Each song is a masterpiece, and such compositions as "Flesh on Flesh" (which features him on five different instruments), "Zona Desperata," and "Fugata" (which showcases DiMeola trading with Gonzalo Rubalcaba on their Fender Rhodes solo in part three) are just three of the musical statements befitting all who've been lucky enough to see or hear DiMeola's phenomenal sound "live." To hear that same energy and excitement recorded "live" on Flesh on Flesh is especially gratifying since the music is developed and takes place in a new context, space, and time. You'll find that every graceful musical curve, every dynamic concept, every technological update heard on Flesh on Flesh is a celebration of new forms and functions, of strict rhythmic reinterpretation and the inimitable DiMeola sound and guitar virtuosity. A must-have. ~ Review by Paula Edelstein, All Music Guide ~

TRACKLIST
01. Zona Desperata [9:25]
02. Innamorata [8:38]
03. Meninas [5:43]
04. Flesh on Flesh [5:56]
05. Fugata [5:46]
06. Deep and Madly [1:45]
07. Saffire Soleil [4:10]
08. Senor Mouse [9:24]
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Stanley Clarke, Al DiMeola, Jean-Luc Ponty - The Rite of Strings

Artist: Stanley Clarke / Al Di Meola / Jean-Luc Ponty
Album: The Rite of Strings
Recording Date: Apr 1995
Release Date: Aug 1 1995
Label: Capitol
Genre: Jazz
Styles: Fusion, Contemporary Jazz
Quality / Bitrate: MP3 / 256 kbit/s / Stereo
Total time: 55:35 min
Total size: 102 MB​

Personnel
Stanley Clarke (Producer, Bass (Acoustic), Main Performer); Al DiMeola (Guitar (Acoustic), Producer, Main Performer, Performer); Jean-Luc Ponty (Violin, Performer, Main Performer, Producer).

Release Info
Any time the likes of Stanley Clarke, Al DiMeola and Jean-Luc Ponty are assembled, there is a good chance the results are going to be impressive. Clarke and DiMeola had played together in the legendary Return to Forever, producing some of the most intense playing in all of fusion; Jean-Luc Ponty had also made several excellent, very diverse recordings. The chops of these three musicians are pretty much unsurpassed in the industry, which in itself makes Rite of Strings worthy of a listen. The real treat, however, is in the song selections. Three of DiMeola's more recent compositions are here, including the uplifting "Chilean Pipe Song." On this song, Clarke and Ponty's dual-bow sound provides a nice backdrop to DiMeola's introduction before DiMeola and Ponty state the melody together. Ponty has always been one of the more interesting violinists, mostly because he experiments with the instrument's tonal possibilities. His plucking introduction to "Renassaince" and the strumming on "Change of Life" are evidence of this. Clarke's finest moment comes on his own beautiful "Topanga," on which his bow playing is enough to evoke tears. This is a classic recording that should not be missed; the integrity, musicianship, compositions, and improvisations are all first-rate. ~ Review by Robert Taylor, All Music Guide ~

TRACKLIST
01. Indigo [7:15]
02. Renassaince [4:33]
03. Song to John (Dedicated to John Coltrane) [6:00]
04. Chilean Pipe Song [6:12]
05. Topanga [5:50]
06. Morocco [5:45]
07. Change of Life [5:30]
08. La Cancion de Sofia [8:30]
09. Memory Canyon [6:00]
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Reneé Olstead - "Reneé Olstead"

Artist: Reneé Olstead
Album: "Reneé Olstead"
Release Date: May 25, 2004
Label: Warner Brothers Records
Genre: Vocal
Styles: Vocal Jazz, Traditional Jazz, Swing
Quality / Bitrate: MP3 / Lame / 320 kbit/s / 44.1 Khz / Joint Stereo
Total time: 44:18 Min
Total size: 101 MB
Website: http://www.reneeolstead.com/

Rebecca Reneé Olstead (born June 18, 1989) is an American actress and singer.

Olstead was born in Houston, Texas to Christopher Eric Olstead and Rebecca Lynn Jeffries. As a child actress, she made films and commercials from age eight onwards. Since 2002, she has appeared in the TV sitcom Still Standing. She also had a small part in the 2004 film 13 Going on 30. In 2000, at the age of 11, Olstead recorded her first album, Stone Country as well as an EP, Unleashed. Both were privately released on her own record label.

In 2004, Olstead released an eponymous album of jazz songs and pop standards for Warner Brothers Records to good reviews; since her previous releases had limited distribution, this album was considered her true debut. She subsequently performed in Berlin during the Live 8 concert on July 2, 2005. Reportedly her musical talent was discovered by composer David Foster, who produced her 2004 album. She later performed with Foster on the Oprah Winfrey Show.
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album reviews
Reneé Olstead is the self-titled major label debut album by teen actress-singer Reneé Olstead, released in 2004. This album differed from Olstead's previous, privately issued country-western releases in that she performs pop and jazz standards. The album, which was co-produced by David Foster, has sold more than 166,000 copies.
-----------------------------------
Back in 2002, producer David Foster oversaw the debut disc of a young jazz/pop singer named Michael Bublé. With his handsome looks and Sinatra-like voice, Bublé quickly saw his star begin to rise and the success of his disc kicked off a mini-revival of old standards and big band singers. Striking while the iron was hot, Foster fed the flame by introducing an even younger female counterpart to Bublé. Reneé Olstead was a 14-year-old actress mostly known for her co-starring role in the CBS television series Still Standing, but while acting has been her day job since childhood, Olstead has also dabbled in music. Unlike Bublé, who was studying classic songs at a young age with his grandfather, Olstead first latched onto traditional country music and at the age of ten and released Stone Country, which found her singing mediocre tunes in a hiccupped, down-home accent. Four years and a 180-degree turn later, Olstead discovers her inner ingénue with the assistance of Svengali Foster and released her major label debut of pop and jazz standards. The results have the same lovely, glossy sheen that Foster tweaked to perfection on Natalie Cole's Unforgettable album, and Olstead's newfound voice is a vast improvement from her faux twang days. With a voice that is reminiscent of Nicole Kidman's singing debut in Moulin Rouge, Olstead sounds more like a young, bubbly starlet than a newly discovered diva. There is no question that she has a pretty voice and is more than capable of performing undemanding standards like "Taking a Chance on Love," however, her voice lacks the depth and experience truly needed to tackle more difficult song like "Summertime" or "Sunday Kind of Love." In taking on Barry Manilow's "Meet Me, Midnight" she dives in with gusto but ends up barely treading water mid-song with a scat section that sounds uncomfortable and forced. Age is certainly a factor in making these songs sound convincing and, for the most part, Foster smartly chose songs that do not reach too far beyond her young years. This helps to make a song like "Someone to Watch Over Me" sound like a sweet, teenage fairytale. On the other hand, the sensuality of Maria Muldaur's "Midnight at the Oasis" is far too mature for her to grasp at this time. She does much better on the Norah Jones-styled original "A Love That Lasts" as the song's quiet demeanor compliments Olstead's vocals, making her sound comfortable and natural. It is going to take more time and experience for her to sound as convincing on songs like "Is You Is or Is You Ain't My Baby," but Foster has given her a great crash course and that helps to make her debut disc a pleasant listen. Reneé Olstead has a solid foundation from which to work and if she can continue building up from there, she just might have to set aside her acting career for a while. ~ Aaron Latham, All Music Guide

Charts

TRACKLIST
01. Summertime [4:12]
02. Taking A Chance On Love [3:31]
03. Is You Or Is You Ain't My Baby? [3:20]
04. Someone To Watch Over Me (with Chris Botti) [4:26]
05. Breaking Up Is Hard To Do [4:11]
06. A Love That Will Last [3:32]
07. Meet Me, Midnight [2:56]
08. Sunday Kind Of Love [4:34]
09. On A Slow Boat To China (with Carol Welsman) [3:16]
10. What A Difference A Day Makes [3:27]
11. Midnight At The Oasis [3:21]
12. Sentimental Journey [3:32]

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Этот альбом уже дважды (Как увидеть ссылки? | How to see hidden links?, Как увидеть ссылки? | How to see hidden links?) выкладывался на форуме, но рабочих ссылок на него не осталось.

Diana Krall - Christmas Songs
[feat. The Clayton / Hamilton Jazz Orchestra]

Artist: Diana Krall
Album: Christmas Songs
Release Date: Nov 01, 2005
Label: Verve
Genre: Jazz
Styles: Piano, Vocal Jazz, Swing, Christmas/ Chanukkah
Quality / Bitrate: MP3 / Lame / 320 kbit/s / 44.1 Khz / Stereo
Total time: 44:50 Min
Total size: 100,14 Mb
Website: http://www.dianakrall.com/

В каждом поколении есть артист, который способен раздвинуть привычные рамки определенного стиля музыки и существенно расширить аудиторию этого стиля. Для современного джаза имя такого музыканта – Дайана Кролл.

В мире джаза существуют свои негласные правила. Одно из них гласит о том, что джазовый музыкант, который работает в акустическом стиле, не может создавать альбомы, расходящиеся миллионными тиражами. Другое правило – джазовые альбомы не могут занимать верхние строчки хит-парадов. Наконец, третье правило – джазовые артисты не могут рассчитывать на стоячие овации, а также соревноваться с Сантаной или "Бэкстрит бойз" в одной номинации "Грэмми".

Последние 10 лет Дайана Кролл упорно нарушает эти "законы" и доказывает, что она может добиться массовой популярности, при этом не отрываясь от своих музыкальных корней. Канадская певица и пианистка, родившаяся и получившая образование в Нанаймо, стала не только одним из самых продаваемых артистов десятилетия, но и самым продаваемым джазовым вокалистом. Достигнув феноменального успеха, Дайана остается верна стилям, в которых работала с самого начала – свингу и бопу. Как увидеть ссылки? | How to see hidden links?
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Дайана Кролл (Diana Krall) имеет такую внешность, какую называют “мечта продюсера” — по выражению одного западного журнала. Натуральная блондинка с зелеными глазами. Издали на обложках пластинок ее принимают за Селин Дион (Celine Dion). Дион, кстати, тоже из Канады. Именно в этом порядке: Дион тоже из Канады. Как и Дайана Кролл. А не наоборот. Потому что Дайана Кролл поет джазовые стандарты. Поет так, что у слышавших ее вживую захватывает дух. Не то чтобы она брала техникой. Нет, она поет предельно чисто. И это все, что касается техники. Остальное - то, что в англоговорящих странах называется объемным словом “attitude”. Отношение. Подход. Мировоззрение. Этот самый “attitude” делает ее голос значительным в самых, незначительных местах. Этот покой, что изливает она в пении - он мало кому доступен. Это покой не темперамента, а многознания. Которое, по мнению древних, уму не научит. Но мы говорим не об уме. А о том, что описывается словом “attitude”.
...
Равно одаренная мастерством пианистки и вокальным талантом, Дайана Кролл (Diana Krall) создает удивительные композиции, которые обращаются к каждому слушателю лично и заставляют его включаться в начатую ею изящную игру. При этом певица никогда не дает прямых подсказок и помогает своим слушателям только намеками. “Тони Беннетт объяснил мне, как важен в музыке эмоциональный посыл, - говорит Дайана. - Все дело в том, как вы обращаетесь к человеку. Когда вы рассказываете какую-то историю, нельзя навязывать свое отношение. Вы задаете только настроение, а дальше каждый волен воспринимать все по-своему. Я люблю джаз, потому что это не просто какой-то определенный стиль, а один из способов интерпретации музыки и жизни вообще”.Как увидеть ссылки? | How to see hidden links?

On her first full-length Christmas album, pianist/vocalist Diana Krall delivers a smoky, sophisticated, and slightly melancholy album perfectly suited to accompany egg nog cocktails and romantic afterglow holiday affairs. Although there isn't anything unexpected on Christmas Songs -- Irving Berlin's "Count Your Blessings Instead of Sheep" is as close to obscure as it gets -- Krall coos life into such standards as "Have Yourself a Merry Little Christmas," "What Are You Doing New Year's Eve," and "I'll Be Home for Christmas." It also doesn't hurt that she gains top-notch support from the Clayton-Hamilton Orchestra, whose urbane arrangements help bring to mind similar works by such iconic vocalists as Nat King Cole, June Christy, and Frank Sinatra. But it's not all deep sighs and bedroom eyes; on the contrary, Krall keeps things swinging with such uptempo numbers as the joyous "Jingle Bells," "Winter Wonderland," and the Blossom Dearie-inflected "Santa Claus Is Coming to Town." If you like your holiday albums cool and classy, Christmas Songs is a stocking stuffer that's sure to please. ~ review by Matt Collar, All Music Guide

TRACKLIST
1. Jingle Bells (03:25)
2. Let It Snow (04:01)
3. Christmas Song (04:23)
4. Winter Wonderland (03:14)
5. I'll Be Home for Christmas (03:07)
6. Christmas Time Is Here (03:34)
7. Santa Claus Is Coming to Town (02:53)
8. Have Yourself a Merry Little Christmas (04:19)
9. White Christmas (04:32)
10. What Are You Doing New Year's Eve (04:10)
11. Sleigh Ride (03:27)
12. Count Your Blessings Instead of Sheep (03:41)

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Eric Marienthal - Got You Covered!

Artist: Eric Marienthal
Album: Got You Covered!
Recording Date: Mar 29, 2005 - Apr 15, 2005
Release Date: Sep 20, 2005
Label: Peak Records, Inc.
Genre: Jazz
Styles: Smooth Jazz, Crossover Jazz, Contemporary Jazz, Saxophone
Quality / Bitrate: Ogg Vorbis 1.1.2 / VBR Quality 10 (320-500 kbit/s) / 44.1 Khz / Stereo
Total time: 46:46 Min
Total size: 144 MB
Website: http://www.ericmarienthal.com/

Эрик Мариенталь - один из лучших современных саксофонистов, играющих в стиле ''контемпорэри джаз''.
Его манера игры на саксофоне во многом схожа с игрой Дэвида Сэнборна, прославленного саксофониста, который и является основателем ''контемпорэри''. Главные черты, характеризующие игру обоих музыкантов - виртуозное владение саксофоном, энергичные и чувственные композиции, довольно слащавые, неожиданные мелодические ходы, прорывающиеся сквозь вязь инструментальных импровизаций.
---------------------------------
Манеру игры Эрика Мариенталя отличает идеальный строй, мощный звук, ровный тембр по всему диапазону саксофона, пронзительные верха и выразительные длинные глиссандо. Эрик - не только талантливый исполнитель, но и педагог: его современная манера игры и характерные технические приемы детально представлены на трех популярных видеошколах.
Одна из самых значительных ступеней в карьере Эрика Мариенталя - работа в составе Elektric Band знаменитого пианиста Чика Кориа (1987-1995). Недавно этот коллектив был воссоздан, и с весны 2003 г. Мариенталь вновь играет с Чиком Кориа.
В последние два года Эрик также выступает как специальный гость в составе широко известной группы Rippingtons. Он работает с самыми популярными представителями "современного" джаза (contemporary jazz), - Джеффом Лорбером (Jeff Lorber), Рассом Феррэнте (Russ Ferrante), Ли Ритенауром (Lee Ritenour), Рассом Фрименом (Russ Freeman) и др. Как увидеть ссылки? | How to see hidden links?

It has long been a well-known "secret" that altoist Eric Marienthal, who is best known for his association with Chick Corea's Elektric Band and with his own groups, is a great straight-ahead jazz player, too. He has made occasional guest spots through the years and shown that he is a more versatile player than originally expected. For Got You Covered, Marienthal desired to record a set live in the studio, and he utilized some of his favorite musicians, with guest pianist Chick Corea playing a duet with Marienthal on "My One and Only Love." Unfortunately, Marienthal mostly plays it safe, not digging very far into these songs beyond their melodies. It is pretty unusual getting to hear him play "I've Got the World on a String" and "Moody's Mood for Love," but the latter is a note-for-note re-creation of James Moody's original solo and nothing more. Everything about this set comes across as safe and unadventurous. The overall results are pleasant and reasonably pleasing as background music, but Eric Marienthal is capable of much more. ~ review by Scott Yanow, All Music Guide

TRACKLIST
01. I Will [3:27]
02. New York State Of Mind [5:16]
03. Love And Liberte [4:23]
04. Compared To What [3:42]
05. I've Got The World On A String [5:14]
06. Emotion [3:43]
07. Two Part Invention #4 In D Minor [4:35]
08. My One And Only Love [4:35]
09. You've Got A Friend [4:24]
10. Stand By Me [4:08]
11. Moody's Mood For Love [3:19]

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[edrecords]

Brad Melhdau Trio - New York, Barcelona Crossing Vol 1&2

Brad Melhdau Trio - New York, Barcelona Crossing Vol 1&2

1. Wonderful (B.Raleigh-C.Edwards)
2. Spring Can Really Hang You Up The Most (T.Wolf-F.Landesman)
3. Old Folks (Hill-Robinson)
4. Sushi (Mario Rossy)
5. Bodi (Perico Sambeat)
6. Comencar De Novo (Ivan Lins)
7. Just One Of Those Things (Cole Porter)
8. No Blues (Miles Davis)

Recorded May 10, 1993 Barcelona
Fresh Sound New Talent FSNT031

Brad Mehldau (p)
Perico Sambeat (as)
Mario Rossy (b)
Jorge Rossy (dr)

New York-Barcelona Crossing Volume 2

1. I've Told Every Little Star (Jerome Kern)
2. Un Poco Loco ( Bud Powell)
3. Easy To Remember (Richard Richards)
4. Played Twice (Thelonious Monk)
5. DaT Dere (Bobby Timmons)
6. Cousin Mary (John Coltrane)
7. No Blues (Miles Davis)

Recorded May 10, 1993 Barcelona
Fresh Sound New Talent FSNT037

Brad Mehldau (p)
Perico Sambeat (as)
Mario Rossy (b)
Jorge Rossy (dr)

_http://rapidshare.de/files/27868814/bradmehldau_new_york_barcelona_crossing_vol1_by_axis.part1.rar
_http://rapidshare.de/files/27868809/bradmehldau_new_york_barcelona_crossing_vol1_by_axis.part2.rar
_http://rapidshare.de/files/27908144/mehldau_trio_new_york_barcelona_crossing_vol2_by_axis.part1.rar
_http://rapidshare.de/files/27908058/mehldau_trio_new_york_barcelona_crossing_vol2_by_axis.part2.rar

THX Axis

 

[edrecords]

Paco De Lucia - Interpreta A Manuel De Falla, 1995

Paco De Lucia - Interpreta A Manuel De Falla, 1995

1. Danza de los Vecinos {de "El Sombrero de Tres Picos"} (De Falla, Sierra) 3:12
2. Danza Ritual del Fuego {de "El Amor Brujo"} (De Falla, Sierra) 4:25
3. Introduccion y Pantomima {de el Amor Brujo} (De Falla, Sierra) 3:02
4. El Pano Moruno (De Falla) 1:30
5. Danza del Molinero {de "El Sombrero de Tres Picos"} (De Falla, Sierra) 3:06
6. Danza (De "La Vida Breve") (De Falla, Shaw) 3:26
7. Escena (De "El Amor Brujo") (De Falla, Sierra) 1:26
8. Cancion del Fuego Fatuo (De "El Amor Brujo") (De Falla, Sierra) 4:08
9. Danza del Terror {de "El Amor Brujo"} (De Falla, Sierra) 1:51
10. Danza de la Molinera {de "El Sombrero de Tres Picos"} (De Falla, Sierra) 4:02

APE+CUE, 140M
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mp3 320kbps, 70M
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password: tipikin

THX tipikin

 

[edrecords]

Chick Corea & Kujala - Voyage 1984

Chick Corea & Kujala - Voyage 1984

1. Mallorca
2. Diversions
3. Star Island
4. Free Fall
5. Hong Kong

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MP3 224 Kbbs | 72 Mb | Genre: Jazz

THX amadou

 

[edrecords]

Ganelin Trio - Eight Reflections of the Past Century

Ganelin Trio - Eight Reflections of the Past Century

1. I
2. II
3. III
4. IV
5. V
6. VI
7. VII
8. VIII

_http://rapidshare.de/files/27715297/Eight_Reflections_of_The_Past_Century_by_axis.part1.rar

_http://rapidshare.de/files/27715307/Eight_Reflections_of_The_Past_Century_by_axis.part2.rar

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[turiddu]

Ran Blake; Anthony Braxton - A Memory Of Vienna (1988)

01 Round Midnight
02 Yardbird Suite
03 You Go To My Head
04 Just Friends
05 Alone Together
06 Four
07 Soul Eyes
08 I'm Getting Sentimental Over You

101 mb, 256 kbps

_http://www.badongo.com/file/1168125_

 

[tulku]

Shakatak - Smooth Solos

Artist: Shakatak
Album: Smooth Solos
Recording Date: Dec, 2002
Release Date: Feb 10, 2003
Label: Passion Jazz
Genre: Jazz
Styles: Smooth Jazz, Jazz Instrument, Fusion
Type: Compilation
Quality / Bitrate: MP3 / Lame / 320 kbit/s / 44.1 Khz / Stereo
Total time: 1h 20m
Total size: 169 MB
Website: http://www.shakatak.com/

2002 compilation features 15 of the finest smooth jazz tracks recorded by various members of Shakatak during the 'solo years'. Passion Jazz.

TRACKLIST
1. Hypnotique (6:00)
2. One Time (4:32)
3. Coastal Route (5:01)
4. Just for You (4:46)
5. Dream Away (4:11)
6. Rhythm Dance (6:04)
7. Couldn't Believe It (4:10)
8. Espirito (4:19)
9. Don't Let Go (4:52)
10. My Blue Heart (4:55)
11. When the Trust Has Gone (4:40)
12. Wonderland (3:46)
13. Let the Rhythm Take You High (5:30)
14. I Can't Let You Go (4:57)
15. Breathing Space (6:13)

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пароль на архив: http://freeliz.ru

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[tulku]

Fourplay - 4

Artist: Fourplay
Album: 4
Release Date: Jun 09, 1998
Label: Warner Brothers Records
Genre: Jazz
Styles: Smooth Jazz
Quality / Bitrate: Ogg Vorbis / CBR 320 kbit/s / 44.1 Khz / Stereo
Total time: 55:30 Min
Total size: 130 MB
Website: http://www.fourplayjazz.com/

Очень светлый, красивый, отлично записанный и довольно консервативный smooth jazz, как говорят англо-саксы - "radio friendly": комфортный, романтичный, идеально подходящий как для пати с коллегами по бизнесу, так и для романтического ужина при свечах.

Release Info
Fourplay is back in business with album number four. This time former Crusader Larry Carlton joins up with Bob James, Harvey Mason and Nathan East to deliver another splendid collection of smooth jazz penned by the group members themselves.
This time Lee Ritenour has opted out but Larry Carlton is a more than capable replacement and contributes two of the compositions on '4'. His wife Michelle adds her velvet vocal touch alongside Harvey Junior/s wife Heather.
El Debarge (who can forget his vocal on the Debarge classic 'All this love ') Babyface Edmonds, Shanice and Kevyn Lettau also join the band for '4', the former delivering an excellent rendition of Marvin's masterpiece 'Sexual healing' from 1982.
This has all the trimmings of a Fourplay album with guitar and piano riffs mingling with soft vocals to exotic and clever rhythms.
Larry Carlton's contributions 'Charmed I'm sure' and 'Swamp jazz' are right out of Carlton's top drawer , the man seems to slide all his notes in two chord structures. This distinctive style was prevalent on his 1996 outing 'The Gift'.
The killer cut on a wonderful album is 'Someone to love' which is a slow piano/guitar smoocher with excellent incidental vocals from Babyface Edmonds, Nathan East and Shanice ( I sure like your smile ) Wilson.
One of the great 'unsung hero' composers of the CJAZZ scene is Harvey Mason who has written three of the albums ten tracks including the 'Hill Street Blues' type cut entitled 'Slow slide', a late night trip to the midnight hour. Harvey has been all aross the waterfront in a glittering career but is more renowned for his rhythmical contribution. This clearly highlights his all round musical ability which is similar to his contemporary Alphonse Mouzon.
All in all, no real surprises here but definitely a 'Must Have' item to any smooth jazz fans collection.
Jazz Site Rating - 9 outa 10
Review By Wes Gillespie, www.allaboutjazz.com

TRACKLIST
1. Still The One (5:43)
2. Little Foxes (5:47)
3. Sexual Healing (5:27)
4. Charmed, I'm Sure (6:12)
5. Someone To Love (5:42)
6. Rio Rush (7:47)
7. Piece Of My Heart (4:25)
8. Slow Slide (5:04)
9. Vest Pocket (4:41)
10. Swamp Jazz (4:50)

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[tulku]

Al Di Meola & Leonid Agutin - Cosmopolitan Life
Совместный альбом Леонида Агутина и Al Di Meola "Cosmopolitan Life"

Исполнитель: Леонид Агутин и Ал Ди Меола (Al Di Meola)
Альбом: Cosmopolitan Life
Продюсеры: Леонид Агутин и Ал Ди Меола (Al Di Meola)
Сопродюсеры: Альберт Федосеев и Игорь Лалетин
Аранжировка: Леонид Агутин, Альберт Федосеев и Ал Ди Меола
Исполнительный продюсер: Алекс Сино (Alex Sino)
Музыка: Леонид Агутин (Leonid Agutin (BMI))
Слова: Алекс Сино (Alex Sino (BMI))
Жанр: Jazz
Стиль: Jazz-Rock, Fusion
Год Издания: 2005
Издательство: Olé Records
Формат / Качество: MP3 / Lame / 320 kbit/s / 44.1 Khz / Stereo
Время Звучания: 46:57 Min
Размер: 106 Мб
Вебсайт: www.dimeola-agutin.com

Творческий союз русского эстрадного музыканта и одного из лучших джаз-роковых гитаристов мира.

Об альбоме
...элегантный, хотя и довольно предсказуемый фьюжн с легко выделяемой латино-составляющей. Какие-то неожиданные отступления от уютной и стильной накатанной колеи демонстрирует лишь финальная "Shadow Of Your World" с диагональными пробежками по органной клавиатуре и грозными гитарными проигрышами между куплетами. Акустическая ритм-гитара Леонида чиста и безукоризненна, соло Эла - вообще верх совершенства и сдержанности. Все песни спеты по-английски, лишь в задумчивой "If I'll Get A Chance...", зажигательной "Tango" и уже упомнавшейся "Blue River" проскакивают две-три русские фразы.
В целом альбом очень и очень хорош, хотя из каждого второго номера сквозит задумчивая меланхолия, вызывающая навязчивые ассоциации с сольным творчеством Стинга... Как увидеть ссылки? | How to see hidden links?

Список композиций
01. Cuba Africa [5:34]
02. Cosmopolitan Life [4:09]
03. Nobody [4:47]
04. Price To Learn [5:27]
05. Tango [3:54]
06. Smile [4:19]
07. Portofino [3:36]
08. If I'll Get A Chance... [4:07]
09. Blue River [4:44]
10. Shade Of Your World [6:16]

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[pshvetik]

Eden Atwood - No One Ever Tells You

Artist: Eden Atwood
Album: No One Ever Tells You
Genre: Vocal
Styles: Vocal, Vocal Jazz, Brazilian Jazz
Release Date: 15 June, 1993
Quality / Bitrate: MP3 / 320 kbit/s
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¬ TRACKLIST ¬
01. I Didn't Know What Time It Was
02. I Was the Last One to Know
03. Is You Is or Is You Ain't My Baby
04. Ballad of the Sad Young Men
05. Old Devil Moon
06. Cow Cow Boogie
07. No One Ever Tells You
08. Too Late Now
09. The Gentle Rain
10. Nothing's Changed
11. Them There Eyes

Eden Atwood (vocals) | Jim Martin (conductor) | Steve Zoloto (alto saxophone) | Brian Budzik, Von Freeman, Edward Peterson (tenor saxophone) | Linda Van Dyke (baritone saxophone) | Rob Parton, Steve Smyth (trumpet) | Paul McKee (trombone) | Laurence Hobgood, Bradley Williams (piano) | Dave Onderdonk (acoustic guitar) | Akio Sasajima (electric guitar) | El Dee Young (bass, vocals) | Doug Hayes, John Whitfield (bass) | Redd Holt, Michael Raynor (drums) | Mark Walker (percussion).

Executive Producer: Gus Miller
Project producers: Joanie Pallatto and Bradley Parker-Sparrow
Artistic Producer: Eden Atwood
Recording engineers: Joanie Pallatto and Sparrow
Mixing engineer: Joanie Pallatto
Recorded at Sparrow Sound Design, Chicago
Assembled by Phil Edwards, PER, Hayward, CA
Mastered by George Horn
Cover photo: Gina Uhlmann
Insert photo: Gus Miller
Art direction by Kent Judkins

Liner notes:

Eden Atwood, the Memphis-born and Montana-raised daughter of the late composer and arranger Hubbard Atwood, is a throwback to an era when lyrics were something to be savored and caressed. Hence, she has a soft spot for the torch song and the big ballad. Fortunately, she also has the requisite vocal equipment to deliver them.
The first thing you notice about Atwood is her youth and cheeky self-confidence. Yet she is trapped in a time warp of sorts. Although clearly, in both attitude and mannerisms, a woman of the '90s -- and a child of the rock generation -- her musical instincts and reference points belong to another era. She has said that she is "incredibly happy" listening to the music of the big bands. "Then the minute I walk outside, it's 1992!" Atwood has managed to evoke the music of that earlier period while developing within the jazz genre her own distinctive style.
At the age of 22, Eden has produced a record that celebrates beginnings. This is only fitting since she, too, is at the cusp of what one expects will be a full and satisfying career. "No One Ever Tells You" is a work of hope and optimism but also one of exquisite pain that, under its sunny veneer, masks a surprisingly melancholy heart. Listen to the plaintive vocals of "Ballad of the Sad Young Men" and try not to be impressed by the artist's sensitive delivery.

One could go on: the effortless scat singing in "Old Devil Moon"; the playful sense of humor in "Is You Is or Is You Ain't My Baby". Atwood is at her brassy and confident best in "Cow Cow Boogie" while her mood turns pensive and somber in "Too Late Now". In a breathtakingly beautiful rendition of her father's "I Was the Last One to Know" she assumes the persona of a singer who has seen too much and hurt too much yet is not quite ready to give up. Finally, in "Nothing's Changed," which she wrote, Atwood appears to have inherited her father's talent for craftsmanship. It's a fine song -- touching, melodic and lyrically sophisticated.
"No One Ever Tells You" proves Eden Atwood is an exciting new presence on the jazz scene. Chicagoans already know that.
Now the world will too!

--June Sawyers
The Chicago Tribune Arts and Entertainment
(c) 1993 Concord Jazz, Inc.

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[pshvetik]

Dave"s True Story - 1998 - Sex Without Bodies

Artist: Dave's True Story
Album: Sex Without Bodies
Genre: Vocal
Styles: Vocal, Vocal Jazz Pop
Release Date: March 10, 1998
Quality / Bitrate: MP3 / 320 kbit/s
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ABOUT DAVE'S TRUE STORY
Dave's True Story is a jazzy pop combo featuring Dave Cantor's intelligent, sometimes quirky lyrics, Kelly Flint's smooth-as-silk vocals and Jeff Eyrich's acoustic upright bass laying a solid rhythm track beneath it all. They have built an impressive body of accomplishments since their formation in 1994. Winners of the 1995 Kerrville New Music Award as well as numerous and various other surprising accomplishments, they have performed nationally and internationally to wide critical and commercial acclaim.

Dave and Kelly met in 1989 through the Fast Folk group of songwriters. Chanteuse, Kelly Flint, a teenage Joni Mitchell freak turned twenty-something fan of Keely Smith and Lulu, had been singing backup around town and feeding her dreams as a waitress at the Cookery, an old cabaret where she befriended blues legend Alberta Hunter. David Cantor, a one-time student of the Berklee College of Music and an avid songwriter, started performing his offbeat jazzy songs at open-mics at places like the Speakeasy. Kelly and Dave passed each other like two ships in the night until a snowy evening in 1992 when they cemented their friendship over shots of Jack Daniels at the old Village Corner. Kelly proposed that Dave teach her a song and the rest, as they say, is history. Well, not quite. Jeff Eyrich signed on in 1998, bringing his upright bass and considerable production experience into the picture.

Dave's True Story is an independent band whose notoriety has been built mainly by word of mouth and hundreds of live shows.

DAVE'S TRUE STORY BIOGRAPHY
Dave's True Story's smart, sexy sound blows a cool breeze through the world in which we live with its fourth release, NATURE.

Like all great art, Dave's True Story stands outside of its era, with a sensibility that encompasses the past, lives in the present, and hints at the future. The New York City group utilizes a stylish, elegant jazz/pop sound that contrasts the thorny thickets of songwriter/guitarist Dave Cantor's deliciously devilish lyrics. DTS's resident siren, Kelly Flint, coos former playwright Cantor's crafty, acerbic missives as if they were tender messages of love, but songs about psychic readings, beatnik posers, and prescription medication are seldom the stuff of late-night saloon songs.

Over the course of three albums, enough people have noticed Dave's True Story for the band to sell over 50,000 records without the benefit of a major label or big press machine. Instead they've been winning hearts and minds in a more subversive, covert manner, flying under the big boys' radar even as they've been lauded everywhere from the NY Times to CNN and had their songs included in the feature film KISSING JESSICA STEIN. With the help of DTS bassist and producer Jeff Eyrich, however, the group's hush-hush hipster renown seems likely to expand to a bigger slice of the pie, via the latest Dave's True Story disc, NATURE.
In a world primed for sophisticated, jazzy pop by the likes of Norah Jones and Diana Krall, Dave's True Story injects the crucial element of sharply observed irony with NATURE's batch of mordant, masterfully crafted tunes, from "World in Which We Live," where global ennui is wedded to a sinuous bossa nova beat, to "I Lost my Nature," in which the lovelorn protagonist searches for missing mojo against bongo-driven Beat-era jazz grooves. While previous albums featured more upbeat, swinging arrangements, NATURE finds Dave's True Story playing it cool, letting Cantor's songs, Flint's voice, and Eyrich's sterling sonic framework tell the story of a sensibility too sharp for mere "lounge" chic but too top-shelf to be crammed into a rock & roll pigeonhole.

So when the Wall Street Journal observes that "Harry Connick Jr. and John Pizzarelli should have new material that's as witty as what Mr. Cantor creates," they're not consigning Dave's True Story to an Adult Contemporary niche market, they're simply wracking their brains for artists with enough old-school spit and polish to do justice to the sparkle of a sound that's at once postmodern and timeless. With the release of NATURE, though, it's likely that admirers will stop vainly searching for comparisons and simply mark Dave's True Story as sui generis, a musical island unto themselves, offering a shrewd, sometimes salacious, but strangely luxurious escape from the banal world of mainstream pop music.

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